The Tyger by William Blake: context, form and key methods

A speaker asks who could have created a creature as beautiful and terrifying as the tiger. This poem is out of copyright, so you can quote it freely.

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Context and themes

William Blake (1757 to 1827) was an English poet, painter and printmaker. The Tyger was published in 1794 in Songs of Experience. Its partner poem, The Lamb, is in Songs of Innocence.
Blake was deeply religious but questioned organised religion. The poem asks how one creator could make both gentle and fierce things, good and evil.
Themes: creation and God; the power of nature; good and evil; innocence and experience; fear and awe.

Form and structure

Six quatrains in rhyming couplets (AABB), with short lines of mostly seven syllables and a strong, beating rhythm like a hammer or a drum.
The poem is almost entirely questions, none of them answered.
It is cyclical: the last stanza repeats the first, but "Could frame" becomes "Dare frame".

Language and key methods

Imagery of fire: "burning bright", "Burnt the fire of thine eyes?" The tiger is dazzling and dangerous.
Rhetorical questions: "What immortal hand or eye, / Could frame thy fearful symmetry?" The questions show awe and fear.
Blacksmith imagery: "What the hammer? what the chain, / In what furnace was thy brain?" The creator is a mighty smith forging the tiger.
Alliteration: "fearful symmetry" and "burning bright" give force to the sound.
Allusion to the Lamb: "Did he who made the Lamb make thee?", a symbol of innocence and of Christ.

Compare with: Prayer Before Birth and La Belle Dame sans Merci

Prayer Before Birth (MacNeice): both are addressed to higher powers and present a frightening world; Blake asks questions, MacNeice's unborn child pleads.
La Belle Dame sans Merci (Keats): both present something beautiful and dangerous; Blake's tiger inspires awe, Keats's lady destroys the knight.

Exam tips

Paper 1 Section B gives you a choice of two questions. One question usually names both poems; the other names one poem and asks you to choose a second from the anthology (30 marks: AO2 15 for language, form and structure; AO3 15 for links between the poems).
Strong points for The Tyger: the unanswered questions; the blacksmith and fire imagery; the hammering rhythm; the shift from "Could" to "Dare".
You can bring in the Lamb to show the contrast of innocence and experience, but keep the focus on methods and on comparison.
Worked example

How does Blake present the creator of the tiger?

  1. The creator is never named, only described through questions.
  2. Blacksmith imagery: hammer, chain, furnace and anvil.
  3. The question about the Lamb asks whether one creator made both good and fierce things.
  4. Effect: the creator seems powerful, mysterious and frightening.

Answer: Blake never names the creator; instead the poem is a series of awed questions. Blacksmith imagery ("What the hammer? what the chain, / In what furnace was thy brain?") presents the creator as a mighty smith forging the tiger with strength and danger. The question "Did he who made the Lamb make thee?" deepens the mystery: how could one maker create both innocence and terror? When "Could frame" becomes "Dare frame" in the final stanza, the creator seems not just able but bold.

Key idea

Blake, Songs of Experience (1794); partner poem The Lamb. Six quatrains of rhyming couplets, strong beat, cyclical. Unanswered questions; fire imagery; blacksmith imagery (hammer, chain, furnace, anvil); "fearful symmetry"; "Did he who made the Lamb make thee?"; "Could" becomes "Dare".

Key words
Context
The circumstances in which a text was written and set, such as historical events, social attitudes and the writer's life (AO3 in the GCSE, AO4 in the International GCSE).
Form
The type and shape of a text: for example sonnet, ballad, free verse, tragedy, comedy, novel or play.
Speaker
The voice of a poem. The speaker is not always the poet.
Imagery
Language that creates a picture or appeals to the senses, including similes, metaphors and personification.
Stanza
A group of lines forming a section of a poem (a verse).
Alliteration
Repetition of the same consonant sound at the start of nearby words, used to link ideas or create a sound effect.

All GCSE and International GCSE English Literature key terms and definitions →

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Last updated 6 November 2026. Spotted a mistake? Tell us and we will fix it.

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