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  4. Anthology Part 3: love, loss and power

Anthology Part 3: love, loss and power

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Four poems written before 1929 look at love that lasts, love that traps, love that controls, and love facing death.

Sonnet 116 (Shakespeare)

"Let me not to the marriage of true minds / Admit impediments." True love does not change: "Love is not love / Which alters when it alteration finds".
Love is "an ever-fixed mark / That looks on tempests and is never shaken", and "Love's not Time's fool".
The final couplet stakes everything on it: "If this be error and upon me proved, / I never writ, nor no man ever loved."

Remember (Christina Rossetti)

"Remember me when I am gone away, / Gone far away into the silent land".
The speaker asks her beloved to remember her after death, but at the volta she changes her mind: "Better by far you should forget and smile / Than that you should remember and be sad."
It is a Petrarchan sonnet.

La Belle Dame sans Merci (Keats) and My Last Duchess (Browning)

La Belle Dame sans Merci: a knight is enchanted by a beautiful lady and left alone and wasting on a cold hillside, where "no birds sing". Ballad form, cyclical structure.
My Last Duchess: a dramatic monologue in which the Duke of Ferrara reveals his jealousy and controlling nature: "I gave commands; / Then all smiles stopped together."
Worked example

How do Sonnet 116 and Remember both use the sonnet form?

  1. Both are 14-line sonnets, the traditional form for love poetry.
  2. Shakespeare uses a final couplet to state his certainty.
  3. Rossetti uses the volta to change her mind, choosing her lover's happiness over being remembered.

Answer: Shakespeare uses the closing couplet to seal his argument about constant love; Rossetti uses the volta to turn from wanting to be remembered to wanting her lover to be happy.

Key idea

Sonnet 116: love is constant and unchanging. Remember: love that puts the beloved's happiness first, volta. La Belle Dame: destructive enchantment, ballad. My Last Duchess: love as possession and control.

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