Edexcel GCSE Belonging poems: all 15 poems with analysis
The 15 poems in the Belonging cluster of the Pearson Edexcel GCSE English Literature poetry anthology (Paper 2 Section B Part 1: Poetry Anthology (Belonging)), with the key ideas of each one, a printable comparison grid and pairs of poems to compare. Every poem has a free lesson on its context, form and key methods.
All 15 Belonging poems
| Poem | Poet | Key ideas | Lesson |
|---|---|---|---|
| To My Sister | William Wordsworth | Shared joy in spring nature | Lesson |
| Sunday Dip | John Clare | Village boys' shared freedom | Lesson |
| Mild the Mist Upon the Hill | Emily Brontë | Memory of home and childhood, nostalgia | Lesson |
| Captain Cook (To My Brother) | Letitia Elizabeth Landon | Imaginative play with a brother, a world now gone | Lesson |
| Clear and Gentle Stream | Robert Bridges | Lasting bond with a place from youth | Lesson |
| I Remember, I Remember | Thomas Hood | Nostalgic repetition, loss of childhood innocence | Lesson |
| Island Man | Grace Nichols | Caribbean dreams against London traffic | Lesson |
| Peckham Rye Lane | Amy Blakemore | A busy London street and Blake's angels | Lesson |
| We Refugees | Benjamin Zephaniah | Anaphora and 'we', anyone can become a refugee | Lesson |
| Us | Zaffar Kunial | Who 'us' includes (wordplay, sea and wave images) | Lesson |
| In Wales, wanting to be Italian | Imtiaz Dharker | Longing for another identity (questions) | Lesson |
| Kumukanda | Kayo Chingonyi | A missed Luvale rite of passage; growing up through grief | Lesson |
| Jamaican British | Raymond Antrobus | Claiming both heritages (refrain) | Lesson |
| My Mother's Kitchen | Choman Hardi | Objects can be inherited, roots cannot | Lesson |
| The Émigrée | Carol Rumens | A city of childhood kept full of sunlight | Lesson |
Belonging themes
These lessons group the poems by theme and compare them side by side.
Comparison grid
Print this grid and add your own notes and short quotations in the last column as you revise each poem.
| Poem | Theme | Form | Compare with | My notes |
|---|---|---|---|---|
| To My Sister | nature and childhood | A series of quatrains with an ABAB rhyme scheme, in short lines. | Sunday Dip | |
| Sunday Dip | nature and childhood | Fourteen lines of rhyming couplets (AABB) in a steady ten-syllable rhythm. | Captain Cook (To My Brother) | |
| Mild the Mist Upon the Hill | nature and childhood | Four quatrains with an ABAB rhyme scheme and short, gentle lines. | I Remember, I Remember | |
| Captain Cook (To My Brother) | memory, family and the past | Eight quatrains in rhyming couplets (AABB) with long, flowing lines. | I Remember, I Remember | |
| Clear and Gentle Stream | nature and childhood | Four twelve-line stanzas of very short lines, each with three stresses, which give a light, song-like rhythm. | Mild the Mist Upon the Hill | |
| I Remember, I Remember | memory, family and the past | Four eight-line stanzas in which the even-numbered lines rhyme, with a regular, song-like rhythm. | Clear and Gentle Stream | |
| Island Man | migration and displacement | Short free verse stanzas with almost no punctuation. | The Émigrée | |
| Peckham Rye Lane | identity, heritage and community | Free verse with no regular rhyme or rhythm, which suits the noise and variety of the street. | Island Man | |
| We Refugees | migration and displacement | Free verse in stanzas of different lengths, with a plain, conversational voice. | My Mother's Kitchen | |
| Us | identity, heritage and community | Seven tercets (three-line stanzas) followed by a single final line. | We Refugees | |
| In Wales, wanting to be Italian | identity, heritage and community | Free verse in four stanzas of uneven length, with no regular rhyme. | Jamaican British | |
| Kumukanda | identity, heritage and community | Three six-line stanzas of free verse, with long sentences carried across lines by enjambment, which makes it feel thoughtful and conversational. | Jamaican British | |
| Jamaican British | identity, heritage and community | Free verse in short, loosely paired lines, with no regular rhyme or metre. | Kumukanda | |
| My Mother's Kitchen | migration and displacement | Free verse in three unrhymed stanzas. | We Refugees | |
| The Émigrée | migration and displacement | Free verse in three long stanzas, each ending with the word sunlight. | Island Man |
Suggested pairs to compare
Each pair comes from the comparison question in one of our poem lessons, where you will find a worked answer.
- To My Sister and Sunday Dip
Exam-style question: Compare how belonging in nature is presented in To My Sister and Sunday Dip. - Sunday Dip and Captain Cook (To My Brother)
Exam-style question: Compare how childhood play is presented in Sunday Dip and Captain Cook (To My Brother). - Mild the Mist Upon the Hill and I Remember, I Remember
Exam-style question: Compare how memories of a childhood home are presented in Mild the Mist Upon the Hill and I Remember, I Remember. - Captain Cook (To My Brother) and I Remember, I Remember
Exam-style question: Compare how the loss of childhood is presented in Captain Cook (To My Brother) and I Remember, I Remember. - Clear and Gentle Stream and Mild the Mist Upon the Hill
Exam-style question: Compare how places linked to childhood are presented in Clear and Gentle Stream and Mild the Mist Upon the Hill. - I Remember, I Remember and Clear and Gentle Stream
Exam-style question: Compare how adults looking back on childhood are presented in I Remember, I Remember and Clear and Gentle Stream. - Island Man and The Émigrée
Exam-style question: Compare how memories of a homeland are presented in Island Man and The Émigrée. - Peckham Rye Lane and Island Man
Exam-style question: Compare how life in London is presented in Peckham Rye Lane and Island Man. - We Refugees and My Mother's Kitchen
Exam-style question: Compare how leaving home is presented in We Refugees and My Mother's Kitchen. - Us and We Refugees
Exam-style question: Compare how shared belonging is presented in Us and We Refugees. - In Wales, wanting to be Italian and Jamaican British
Exam-style question: Compare how identity is presented in In Wales, wanting to be Italian and Jamaican British. - Kumukanda and Jamaican British
Exam-style question: Compare how heritage is presented in Kumukanda and Jamaican British.
How to compare two anthology poems in the exam →
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