Nothing's Changed by Tatamkhulu Afrika: context, form and key methods

A man returns to District Six in Cape Town and finds that, although apartheid laws have ended, inequality remains. This poem is in copyright, so it is described mainly in our own words.

Practise this lesson free (6 questions)

Context and Afrika's purpose

Tatamkhulu Afrika (1920 to 2002) lived in South Africa and campaigned against apartheid, the system of racial segregation. Pearson dates the poem to 1994, the year of South Africa's first democratic elections.
District Six was a mixed community in Cape Town. In 1966 it was declared a whites-only area, and its residents were forcibly removed. The poem shows that ending the laws did not end the divisions.

Form and structure

Free verse in six stanzas, with short lines that build tension.
It moves from the speaker walking across the wasteland, to the expensive new restaurant, to the cheap cafe nearby, to his anger, and ends with the title phrase.
The cyclical ending, repeating the title, stresses that nothing has really changed.

Language and key methods

Senses and the body: he knows where he is without any sign, because his "feet know", and so do his hands and skin. Memory is physical.
Contrast: the smart new restaurant, with its glass front and fine food, stands beside a working man's cafe where people eat cheap food at plastic tables. No sign says the restaurant is for white diners, but everyone knows.
Violent imagery: his anger grows until his hands burn to smash the glass. The glass is a symbol of the invisible barrier that still divides people.
Worked example

Compare how anger about injustice is presented in Nothing's Changed and London.

  1. Both speakers walk through a city and see injustice.
  2. Afrika's contrast and glass symbol; Blake's repetition and institutions.
  3. AO3: post-apartheid South Africa; London in the 1790s.

Answer: Both Afrika and Blake present speakers who walk through a city and are angered by what they see. Afrika's speaker knows District Six through his body, as his "feet know" the ground, and his anger builds until he wants to smash the restaurant's glass, a symbol of the barrier that still divides black and white South Africans. Blake's speaker hears "Marks of weakness, marks of woe" in every face and blames the Church and the Palace for the suffering. Both poems use contrast and repetition: Afrika's cyclical title shows that "Nothing's changed", while Blake's steady quatrains suggest an endless cycle of misery. Both poets show that injustice is built into places by those in power.

Key idea

Afrika, anti-apartheid; 1994. District Six, cleared under apartheid from 1966. Free verse; cyclical title. His "feet know"; restaurant against working man's cafe; glass as an invisible barrier; violent anger.

Key words
Context
The circumstances in which a text was written and set, such as historical events, social attitudes and the writer's life (AO3 in the GCSE, AO4 in the International GCSE).
Form
The type and shape of a text: for example sonnet, ballad, free verse, tragedy, comedy, novel or play.
Free verse
Poetry without a regular rhyme scheme or metre.
Speaker
The voice of a poem. The speaker is not always the poet.
Imagery
Language that creates a picture or appeals to the senses, including similes, metaphors and personification.
Symbol
An object, colour or image that represents a bigger idea, such as the conch in Lord of the Flies standing for order.

All GCSE and International GCSE English Literature key terms and definitions →

Quick check

Try two quick questions

See if it has sunk in. Answers are marked straight away.

Check you have got it

Answer 6 quick questions with instant marking. If you get one wrong, GCSE-ready shows you why and gives you another go. It is free, and you do not need an account.

Video for this lesson coming soon. Subscribe on YouTube

Sources and references

Last updated 2 October 2026. Spotted a mistake? Tell us and we will fix it.

Related lessons