Composed upon Westminster Bridge by William Wordsworth: context, form and key methods
A nature poet is amazed by the beauty of London at dawn, before the city wakes.
Context and Wordsworth's purpose
Wordsworth usually praised the countryside and distrusted cities. Here he is surprised to find that London, still and silent at dawn, can be as beautiful as nature.
Form and structure
It begins with a bold claim, "Earth has not anything to show more fair", and builds to an emotional exclamation at the end.
Language and key methods
Listing: "Ships, towers, domes, theatres, and temples lie / Open unto the fields, and to the sky". The city blends with nature.
Personification: "Dear God! the very houses seem asleep; / And all that mighty heart is lying still!" London is a living body at rest. The stillness is what makes it beautiful.
Compare how cities are presented in Composed upon Westminster Bridge and London.
- Both poems describe London in the same period.
- Wordsworth's personification and simile of beauty; Blake's repetition of suffering.
- AO3: both Romantics, but Blake focuses on poverty and power.
Answer: Wordsworth and Blake both describe London around 1800, but they see completely different cities. Wordsworth's personification of the sleeping houses and the "mighty heart" lying still presents the city as peaceful and alive, and the simile of beauty worn "like a garment" makes it seem splendid. Blake, by contrast, wanders through "charter'd" streets and sees "Marks of weakness, marks of woe" in every face; his repetition stresses suffering everywhere. Wordsworth sees London from a bridge at dawn, when no one is awake, while Blake walks among the people at night. Wordsworth celebrates the city's surface beauty; Blake exposes the misery beneath it.
Dated 3 September 1802. Petrarchan sonnet. "Earth has not anything to show more fair"; beauty worn "like a garment"; list of buildings open to nature; sleeping houses; "mighty heart"; stillness at dawn.
- Context
- The circumstances in which a text was written and set, such as historical events, social attitudes and the writer's life (AO3 in the GCSE, AO4 in the International GCSE).
- Form
- The type and shape of a text: for example sonnet, ballad, free verse, tragedy, comedy, novel or play.
- Petrarchan sonnet
- A sonnet divided into an octave (eight lines) and a sestet (six lines), with a volta between them.
- Sonnet
- A fourteen-line poem, traditionally about love, usually in iambic pentameter.
- Iambic pentameter
- A line of ten syllables in five pairs, each pair with the stress on the second syllable (da-DUM).
- Octave
- The first eight lines of a Petrarchan sonnet, usually setting up a problem or idea.
All GCSE and International GCSE English Literature key terms and definitions โ
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